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Fabio Guidolin

Cellist

Fabio Guidolin was born in Castelfranco Veneto. He got his cello degree with brilliant results at the
A. Steffani Conservatoire of his native town under the guidance of the Maestro E: Egano.
Still
student he perfected his studies with the Maestri A. Janigro, M. Flaksman, M. Brunello, R. Filippini,
F. Rossi, D. Shafran e D. Geringas.

He was a member of the Orchestra Giovanile Italiana ,at the some time he attended the courses of
chamber music with the Maestri P. Farulli, R. Zanettovich, D. De Rosa e A. Baldovino (The Trio of
Trieste).

He attended the “Corso di Alto Perfezionamento di Quartetto” at the Levi Foundation in Venice
with the M° F. Rossi and obtained a scholarship for merit.

After that he was on tour in the most important European Concert halls.

He classified and won numerous national competitions such as: Biella, Stresa, Vittorio Veneto,
Tagliolo Monferrato, Moncalieri, Savona.

He began his soloist activity while attending the first years of his training, performing in numerous
Italian theatres and Concert halls with the following orchestras: Haydn Philarmonia, Il Concerto
Italiano, Orchestra da Camera del Veneto.

He records for: “Nuova Era”, “Ermitage”, for the collection “I Grandi Interpreti” de Agostini and for
the magazine “Amadeus”.

He founded the Orchestra Villa-Lobos made up by twelve among the most skillful Italian cellists.
He plays as First Part with the following orchestras: Orchestra del Teatro La Fenice di Venezia,
Orchestra di Padova, Orchestra del Veneto, Orchestra Sinfonica del Friuli Venezia-Giulia, Orchestra
Filarmonica di Verona, Filarmonia Veneta, Orchestra Stabile di Bergamo, I Cameristi di Venezia, I
Cameristi Lombardi.

He makes radio and TV recording for the Radio Televisione Italiana and Austrian ORF on the
occasion of particular events.

Interested in composition and valued interpreter of contemporary music, he supervised the
premiere of chamber orchestra of composers such as R. Chailly, M. Panatero, A. Caprioli, M. Betta,
E. Morricone, G. Castagoli, R. Chiesa.

In 1990 started to teach the Cello in various Italian Conservatories. In the same year he was on tour
in Germany playing music of Schubert and Schumann at the Beethovenhalle of Bonn and in other
important Concert halls of Berlin, Lubecca, Wolfsburg and Munich.

Meanwhile he carries on his Duo activity with programmes including the most interesting
masterpieces of repertoire: the complete of Beethoven, Brahms, Schumann, Chopin, l“Arpeggione”
di Schubert, the sonatas of Prokofieff, Schostakovich, Strauss, Kodaly and many others.

In 1991 he attended the Cello courses and String quartet by M. D. Shafran and the members of the
famous “Quartetto Schostakovich” at the International Festival of Chamber Music organized by
Asolo Musica in collaboration with the Conservatory of Moscow.

Then he worked for Asolo Musica as a teacher for the courses of Professional Training of Chamber
Orchestra.

He holded the chair of Cello at the Summer Courses of Perfectioning in Cilento.

He was invited at “the Musical Week-end of Asolo” as teacher and performer in chamber execution
with the Principals of very famous orchestras and the world-famous solos (Clevenger Principal horn
of the Chicago Simphony Orchestra).

He attends the regional course to became Musical Artistic Director at the Academy of Padua.

He is Artistic Master of the Romano Romanini Foundation in Brescia.

He taught Cello at the Conservatories of Trent, Padua, Alessandria, Novara, Como.

He has been teaching at the Conservatory of Brescia – branch of Darfo Boario Terme since 2004,
where he has a managerial position.

Some of his students won prestigious international competitions.
plays Chamber music with some of the most important performers of concerts.

He plays with the Philarmonic orchestra of “La Scala” and with institutions such as Società dei
Concerti di Milano, Maggio Musicale Fiorentino, Ferrara Musica, S. Cecilia di Roma and takes part
in important European Festivals (Paris, Berlin, London, Bonn, Monich, Vien, Budapest, Madrid…),
in Latin America and the Far East.

He plays a wonderful Cello built by the luthier Ettore Soffritti in 1913.

 

THE GUIDOLIN METHOD

The main aim of the course of cello, given by the teacher Fabio Guidolin at the Conservatory of
Brescia – branch of Darfo Boario Terme, is to discover and develop the aptitude for music in
the young students improving their knowledge, being at the same time respectful both of each
personality and the style and performance of the repertoire.

The method applied by Guidolin is the result of a long research that started since the eighties ,
thanks to his attitude for teaching and to important insight that foreran the theories of the
methacognitive and psychomotility applied to cello.

The teaching that the most important cellist and tutors such as E. Egano, A. Janigro, M. Flaksman,
M. Brunello, R. Filippini, F. Rossi, P. Demenga. D. Shafran, D. Geringas gave to Guidolin
helped him to develop this method, which synthesizes the teaching he received with his concert
performances with the most important international musicians.

First of all the teacher points out the student’s characteristics and then makes a personal syllabus
which is deepened with materials taken from different teaching aids, some of them unpublished, and
some pieces of repertoire.

In this way, the student can reach in a short time and in a natural way a perfect technique and
skillful expression which allows him to play very difficult pieces easily and with great sensibility.

The skills developed will enable the student to undertake the specialization which gives him the
ability to perform successfully the whole repertoire of the various professional musical fields in
Italy and abroad.

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